Leave!
The crowd
Every human being and every culture which learned how to avoid stepping on the grass, must learn how to live together with solitude as well. Solitude and lack of space, the paradox of civilisation. Some cultures have found a natural solution, as amassing belly against back, squeezing the mass into shapeless balls made of men and women. As in an animated hazelnut chocolate praline box, these heads move, heaving around on escalators and in railway carriages.
Reality
This shapeless mass is leaving libraries and small theatres almost always empty. This crowd isn’t dripping, but just flowing away. Some other cultures invented some other way to avoid physical contact, increasing the perception of reality. They don’t want belly and back to be aware of being in contact, people almost breathing in one another’s ears. This is the kind of scandalous love persone don’t really like in these latitudes.
The space of beings
Anyways a human being, for how small he or she could be, occupy a certain space. That’s the role of headphones connected to rectangles of light and colours of advertisements. It’s a simple glance on a blind mirror, able to mute and soften up the shadows reflected. Suddenly lives way less miserable are born. Belly against back. People start being happy, careless, delighted by the successes achieved by their avatar. These shadows at least they’re not confined in walking with their feet, sneeze and hate their own job. This shades don’t have to alienate themselves or to repeat with the bravest facial expression
I’m not here
Reassured in their forest- game, training- world and stage- castel, these bugs forgot they’re born to suck blood. Instead, they start convincing themselves to be pilots, pirates, amazing players(with ball or racket). From insects to god with a tap of your finger. They’re actors refusing to leave the stage, persuaded to be the character the director gave to them.
An endless sea
Sqeezed between these solitude- men and women, metropolis- entities, the man of tomorrow is watching outside the window. The train is leaving the lights bounce one into another, letting them speak their silent messages. The same waves coming from a sun already set under the horizon. The night is a winter’s sea, cold and quiet. A movie in white and black. S. finally let slowly that moment of fear come back. No probably wasn’t fear, mostly pity. Sorrow, yes sorrow for that stutterer vulgar man. Even though, the words of the giant find an echo in his memory, a painful rebound as thousands of pin holes.
You stole my soul, prepare yourself to die
Yet, even if those weren’t exactly the words used, he replaced with what he can recall. As in a movie he watched when he was young. Memories are irrational and the more are fear- related, the more erratic. In the movie it was about some unfinished business, the death of a father. But here is reality, he was real and real was that man with all those shadows around his eyes. Those holes under the hat, staring at him. The answer?
Certainly the answer wasn’t the one you can read in a communication manual, but still it was an answer.
Which soul?
Hmpf
An suddenly he remembered. The boy, his body laying down in his room. The door with that elephant. That old woman crying so loud in the other room. Yes, that man was the guy he stole the l'anima.
You… You are that boy?
For the first time I can feel his voice cracked by an ellipsis, suspended in between words which don’t want to come out. Finally, entering in that morgue he understood what he really needs. He have to find his father’s soul, his own spirit. But now this man wants to take it from him, once again. Or this is what it seemed to want, stuttering and mombling, that man with the hat.
Tuuuuuuuuuuuuu-p
Shouted the phone
Tuuuuuuuuuuuuu-p
Repeated the phone, a bit annoyed this time
Tuuuuuuuuu-pp
Again, the phone repeated for a while
Come on, answer, please!
Tuuuuuuuuuuuu-ppp
T-clack
Tu tu tu tu tu tu tu tu tu tu tu
The ring changed to an angry voice.
Then, silence, with the phone left with his voice under the table.
Corri!
The steps were big in the room or maybe is just a tiny house. He must leave, the baggage is ready. He knew he must leave, his keys on the table. No more time. That’s what he kept repeating. Before that piece of muscles will come again, before he will loose all the traces of that woman and the stolen finger.
Too complicated
That doctor seemed to be the solution, but something slipped from his hands. No, not an hand, a finger. That finger must be the answer, but what answer? No, he had to run, he had to go. No more time. He wanted to tell her, tell something to that woman with black hairs, and that blue skirt. But there was no more time. Keys in his hands, in the other the small grey baggage and
Blam
The door followed its hinges with force, and got closed inside the apartment. Outside, the steps run fast through the white keys piano, a crazy music this steps found difficult to follow. Than he caught the tram, and now we’re moving and…
A letter
Something in the jacket, a small letter with lavender perfume, blue paper. It doesn’t seem to be an happy letter. He let the letter drop, his hands on his face. The letter drop here, close to this humble pair of shoes and says
Dear S.
I miss to go out together in our Saturday nights, to see you at work. I miss our silences, even, in our favourite restaurant. I miss your pointy moustache! That’s why I become understanding more your silences than your words. I understood that’s something important going on. I don’t know what is it, but don’t worry. I will be there every day, close to our favourite coffee machine. Or maybe I won’t ever leave you.
Your woman in blue,
N.
P.s. The keys of your apartment are inside your mail box
Escaping
This is the point of not return, when the city seems to transform suddenly in a monster with open nostrils ready to sniff fear. When every wall exude dirt, when a glance of the people squeezed in the metro reveal nothing else than chaos. Everyone reflected in their rectangular devices, linked to some cables in their ears as recharging. Now he hopes to be in a place in which restaurants would have food, real food. A restaurant in which is normal to enter, order, shout, talk. Now all he wants is to run to the first cinema and watch something that is not advertisement, something able to give him some emotion. He wants to take N.’s hands, explore her fingers, that small soft fingers. Escape, live, or both, that’s all he wants now. Then, he smiles, giving colours to the world, again. Nothing is lost, he mumbles
Yes, I know where to go
And doing so he attracts the attention of some passengers, for a moment of two distracted from their games- world. For a second back to reality. The true reality, where bellies and backs are touching each other, where a crazy man is mumbling alone in the train.
Yes, I know where to go
Tucutlun
Tucutlun
Tucutlun
And the track of the train disappears behind the shadows of the buildings, as they wanted to give depth to this drawing
Yes, I know where to go
— And next week… human food! —
La storia sarà pubblicata una volta a settimana e tutti i diritti della storia e relative traduzioni sono riservati a Flyingstories.org e nella persona di Daniele Frau.
Tutte le grafiche sono fatte a mano, realizzate con tecniche differenti da Gabriele Manca, DMQproductions, che ne detiene i diritti.
All English articles published in Souls (alive) proofread by Elisabeth Corcoran
